This is a smart, sensitive and very assured novel, albeit one that doesn’t stray radically from the winning formula of its predecessor ... Harris’s perceptive writing of the fraught relationships between Amity’s central characters is outstanding ... There are some aspects of the novel that didn’t work for me. Coleman’s slightly pompous, ornamental voice is not a natural fit for the action set pieces, which occur more frequently as the narrative progresses, and tend to slump away into lethargy. The inner lives of the novel’s core characters are also so richly rendered that the wider cast end up weirdly undertuned by comparison ... A warm-hearted and worthy contribution to the American literature of emancipation.
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