A hodgepodge of influences looms throughout, from the genre masters Chaon acknowledges in his dedication (Ray Bradbury, Reginald Gibbons and Peter Straub among them) to Katherine Dunn’s Geek Love and even nods to William Wordsworth and Carl Sandburg. The book’s omniscient narrator mimics the era’s hyperbolic advertising and slang, stepping in and out of characters’ heads, shuffling chronology and breaking the flow with newspaper copy and historical digressions. It works! As One of Us gleefully samples multiple registers—comic, tragic, satiric, elegiac, poetic—its mesh of archaic and contemporary styles becomes something quite arresting, a joy to read ... Chaon’s beautiful novel insists on answers. We must not look away.
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