Darkly comic ... Matter-of-fact hilarity ... There’s a jarring tonal shift from the first section, which tracks Natalie’s career as a detached, high-priced handmaiden, to the soulful second half when the scene changes to a feminist commune with Natalie as an aggrieved resident. One would also like to know a bit more about Natalie’s parents and her 10 (yes, 10) sisters, who are all quite distant figures. This seems a missed opportunity. Fortunately Ms. Anderson avoids the pitfall of tipping into gooey sentimentality while allowing for the possibility of spiritual rebirth.