Chang has written an epilogue of sorts to Wild Swans and to her life’s work. Fly, Wild Swans: My Mother, Myself and China operates as several things: an account of her journey as a writer, a chance to correct the record and a paean to her mother. There is little revelation to be found here in Chang’s reflections on modern China, but for those versed in her family history, this updated account is illuminating even as it retreads familiar ground.
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