...all that had been irresistibly strange in the novel—the dreadfulness of Omi City; Yosoye’s nightmarish inability to keep Lagos out of her body—tips expertly into true folk horror. Folklore, which holds a mirror to a community’s anxieties, often reflects back a monster, turning a complex threat into something more easily observed and understood. In Aguda’s enormously capable hands, Yosoye is transformed from an ordinary young woman into a kind of figurative folk monster — her pregnant body a symbol so powerfully and aggressively human that it mocks the distorted narratives that deny humanity to those born on the wrong side of a gate. As the scope of Yosoye’s folkloric purpose swells — to punish a species that demands growth at any environmental cost; to prevent mothers from feeding their young to false systems, propped by false borders, enforced by false powers — we see that the anxieties that plague Lagos are universal; that a threat to humanity anywhere is a threat to humans everywhere. All of us are drowning, figuratively and some literally, as sea levels rise, and it will take more than a myth to protect us.
Read Full Review >>